phinally! it's phil!

Not the best of recordings, but have a look! Thanks, britbomber!

Jan 06 2009 - Phil Selway, 7 Worlds Collide

second night at 7 Worlds, second night for solo Phil

Although the song was on the setlist on the first night as "Family Madness," this time around it was listed as "The ties that bind us."

Phil Selway Tribute

While we wait for Phil's song to surface, enjoy this tribute from nubialondon.

solo song debut!

Yesterday marked the first of a series of 7 Worlds Collide concerts and Phil sang one of his solo songs.

We Phillovers are phervently hoping for more Phil songs at the next few concerts!

The New Zealand Herald reports.

Review: Neil Finn's 7 Worlds Collide
7:41AM Tuesday Jan 06, 2009
By Russell Baillie

It had variety. It had comedy. It had songs by the greats - Radiohead, Wilco, Crowded House, er, Thunderclap Newman.

But most of all this Neil Finn-facilitated dream-team line-up had a couple of things you don't see at big shows.

Like risk-taking, spontaneity, genuine surprises, and a great fat wodge of heart.

Yes it might have been a spin-off to the album Finn and his musical mates exotic and domestic are recording in his Auckland studio for Oxfam, as well as a follow-up to the first series of Seven Worlds Collide concerts back in 2001.

But this first night of a sold-out three-night blast at the Powerstation was anything but a predictable charity bash or dull supergroup jam.

Nor was it a case of Neil-and-friends.

He took a backseat for the first half of the show and much of the second. Though the night didn't lack for Finn presence with sons Liam - now established as a brilliant solo act - and younger brother Ellroy roped in. When he wasn't being the night's most valuable player, Liam also provided comic foil.

"Get over it Dad," he quipped as Finn snr pondered aloud yet again on what the assembled band should be called.

"You're 25 now, I guess you can say that to me," answered his father.

"You can hit me now," quipped Finn jnr once more.

'"Well I could always stop feeding you," finished Finn snr.

We're sure he didn't mean that. But if he did, Oxfam do a very good job of helping the starving...

Anyway, it was a show of two neatly unpredictable robust halves. After opening with an all-in swing through Crowded House's Distant Sun, The first was mostly of a tag-team effort with songs old and new each from Don McGlashan, Bic Runga, Liam Finn, Scottish singer-songwriter KT Tunstall and former Smiths super-guitarist Johnny Marr while backed by various combinations of the dozen or so other musicians.

That included four members of American rock wonders Wilco and - returning from duties on the first Seven Worlds Collide series - Radiohead's Ed O'Brien and drummer Phil Selway.

The second half largely belonged to a combination of the Wilco and Radiohead songbook, a match seemingly made in rock-crit heaven.

It also provided the night's biggest wobble. Finn snr wrestled manfully with the vocal to Radiohead's Bodysnatchers, but couldn't quite pin Thom Yorke's original hyperventilations over its monster riff. Not one for the live concert DVD perhaps.

Otherwise, the depleted-to-four-piece Wilco and ring-ins kicked almost as hard as their last Auckland show in March. Their short bracket included oldies including Woody Guthrie's California Stars, a freshly recorded newie while later frontman Jeff Tweedy made a fine job of Radiohead's Fake Plastic Trees, even if beforehand he worried out loud "this is going to be like Paul Rodgers fronting Queen."

Radiohead's drummer Phil Selway delivered one of the night's nicest surprises in what was his live singing debut of a rather lovely self-penned song destined for the album.

Elsewhere, among the smattering of new numbers, Tunstall and Runga delivered a co-written impressively gothic murder ballad to give the feelgood meter a brief respite - but that gauge stayed pretty much in the red zone for the remains of the night.

That was especially when Finn and Marr lead the ensemble through the Smiths' There is a Light that Never Goes Out (reprised from the 2001 7WC shows), or exuberant high harmony jangles through Finn's Four Seasons in One Day and She Will Have Her Way. And best and most disarming of all - was Thunderclap Newman's Something in the Air in the night's encores.

It helped make for a sweetly funny ending to this first night marking a project which Finn snr describes as a "splendid expedition of ours".

Sure was good to be there for this early part of the ride.

There was video montage of the supergroup rehearsing posted on youtube. You can see our Phil on a guitar at about :27.

Lucky Auckland

Phil's currently in New Zealand, working on the 7 Worlds Collide project with Neil Finn and a bunch of others. Check out his portion of the interview below or the whole thing here.

The first concert will be Monday, January 5th.

Grammy nominations suck slightly less this year

Congratulations to Phil and his phriends for their Grammy nominations!

Album of the Year
Viva La Vida Or Death And All His Friends - Coldplay
Tha Carter III - Lil Wayne
Year Of The Gentleman - Ne-Yo
Raising Sand - Robert Plant & Alison Krauss
In Rainbows - Radiohead [Nigel Godrich, producer; Nigel Godrich, Dan Grech-Marguerat, Hugo Nicolson & Richard Woodcraft, engineers/mixers; Bob Ludwig, mastering engineer]

Best Rock Performance By A Duo Or Group With Vocals
Rock N Roll Train - AC/DC
Violet Hill - Coldplay
Long Road Out Of Eden - Eagles
Sex On Fire - Kings Of Leon
House Of Cards - Radiohead

Best Rock Song
Girls In Their Summer Clothes - Bruce Springsteen
House Of Cards - Radiohead
I Will Possess Your Heart - Death Cab for Cutie
Sex On Fire - Kings of Leon
Violet Hill - Coldplay

Best Alternative Music Album
Modern Guilt - Beck
Narrow Stairs - Death Cab For Cutie
The Odd Couple - Gnarls Barkley
Evil Urges - My Morning Jacket
In Rainbows - Radiohead

Best Short Form Music Video
Honey - Erykah Badu
Who's Gonna Save My Soul - Gnarls Barkley
Another Way To Die - Alicia Keys & Jack White
House Of Cards - Radiohead
Pork And Beans - Weezer


Other nominations in the Philoverse:

Best Boxed Or Special Limited Edition Package
Ghosts I-IV - NIN
In Rainbows - Radiohead [Stanley Donwood, Mel Maxwell & Xian Munro, art directors]
Poems & Songs - Wu Sheng
Pretty. Odd. - Panic At The Disco
@#%&*! Smilers - Aimee Mann

Producer Of The Year, Non-Classical
Danger Mouse
Nigel Godrich
Johnny Karkazis (Johnny K)
Rick Rubin
will.i.am

Best Score Soundtrack Album For Motion Picture, Television Or Other Visual Media
The Dark Knight - James Newton Howard & Hans Zimmer
Indiana Jones And The Kingdom Of The Crystal Skull - John Williams
Iron Man - Ramin Djawadi
There Will Be Blood - Jonny Greenwood
Wall-E - Thomas Newman

[check out the grammy site here]

Another tease about Phil's solo album

thisisnottingham reports that John McCusker has worked on 20 tracks with our Phil.

Under One Sky - A folk "suite"
Friday, November 28, 2008, 07:30

Before Graham Coxon goes back in the studio with the newly re-formed Blur, he'll be joining Idlewild's Roddy Woomble and a host of folk musicians at Nottingham's Albert Hall for Under One Sky. SIMON WILSON spoke to John McCusker about the folk "suite" and his work with Paul Weller, Mark Knopfler and Radiohead...

WHY is Graham Coxon involved in a folk "suite"? Blur and his grittier solo material never showed much of a leaning towards storytelling acoustica.

"Both he and Roddy Woomble have grown up playing rock music but they've both got a great love for folk music," says John McCusker, creator of Under One Sky.

"That's how I know Graham. He came to folk concerts that I was involved in. And we became friends."

McCusker, who has worked with Paul Weller, Mark Knopfler, Ocean Colour and Radiohead's Phil Selway as musician and producer, was commissioned to write an hour-long piece to celebrate two British folk festivals: Cambridge and Celtic Connections.

The idea was also to bring together English and Scottish folk musicians.

McCusker says: "Undeniably there's a divide between Scotland and England but I'm not sure how real it is. People talk about it more than anything.

"Musically it exists as Scottish musicians tend to play traditional Scottish music and likewise with the English.

"I don't think a piece of music like this will bring two nations together but it gave the musicians a better understanding of each other's music.

"Watching them have a laugh and make music together and really buzz of each other's music was fantastic. I know it's a cliche but music is an amazing universal language.

He wrote pieces with all of the musicians, including Gaelic songstress Julie Fowlis, balladeer John Tams and rising star Jim Causley.

The hour-long concert will feature all 12 of them.

"There are seven pieces of music in that hour. But it's not like a set list. It's evolving all the time.

"You never know what's going to happen. Which adds to the excitement.

"It's certainly the highlight of any musical experience I've had."

As well as choosing the musicians, McCusker has been responsible for getting it rehearsed and recorded, even booking flights and coaches for the tour.

"It's quite a lot of work but it's my baby. It'll be worth it in the end."

Other musicians taking part include: Andy Cutting (diatonic accordion), Ian Carr (guitar), Emma Reid (fiddle), Iain MacDonald (bagpipes/whistles/flute), Ewen Vernal (bass) and James Mackintosh (percussion).

McCusker, who has also worked with Patti Smith, Teenage Fanclub, Steve Earle, Roseanne Cash, Linda Thompson, the Waterboys, Jools Holland and Billy Connolly, grew up in Bellshill, near Glasgow.

He joined Scottish folk outfit The Battlefield Band from the age of 17 and toured the world with them for the next decade.

After two solo albums he produced several albums for Kate Rusby, who he married in 2001.

In 2003 he was named Musician of the Year at the BBC Radio 2 Folk Awards.

This year he's been on tour with Mark Knopfler and Paul Weller.

Next up he'll be playing on the new Teenage Fanclub album and has been working on the debut solo offering from Radiohead drummer Philip Selway.

"It's in limbo just now because he's been so busy with Radiohead but we did 20 tracks at their studios in Oxford for a month."

He adds: "It's 18 years that I've been doing this and I'm still as excited about it as when I started out. There are loads of exciting stuff happening."